I feel like if I don't shout about this movie I'm going to explode, it's occupying 100% of my brain at all times and has me in an absolute chokehold. And I'm not mad about it because honestly it's been far too long since I've felt this strongly about anything and it's single-handedly curing my depression.


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To tell you the truth, I wasn't much keen on Longlegs the first time I saw it. I took issue with the supernatural elements, and wished it had been more of a psychological horror and more ambiguous. But it lingered in my mind and I couldn't stop thinking about it until I had to go see it again, and again. And every time I've been to the movie theatre I feel like I'm discovering something new about it and noticing more details, and to me that's the absolute best kind of movie. Things that previously didn't make sense to me, or seemed like plot holes on first watch suddenly make complete sense.
I really love that this movie is just as much about trauma as it is anything else, which isn't an aspect I'm seeing brought up enough. The writer/director Oz Perkins wanted to make this film based on his own familial experiences with his parents keeping secrets from him and his brother as they were growing up (his father is actor Anthony Perkins) and carrying the burden of those choices and forever searching for answers that can't ever be found, and it's woven into the story masterfully. The main protagonist, FBI Agent Lee Harker (Maika Monroe) is very realistically portrayed as having C-PTSD, and is arguably neurodivergent in addition. From her social inadeptness, to not being able to remember elements of her childhood and having blind spots towards certain things that are happening around her - obviously in the film this is caused by the doll, but it's also a very common side effect of growing up with trauma as it impairs your development. Her mother, Ruth, is a hoarder which is another common way for trauma to manifest, and I loved the detail of her wearing the same crochet cardigan that she wears in the flashbacks, a literal representation of her attempting to cling to the version of herself pre-trauma, but it's unraveling and tatty much like Ruth herself. All of the characters are absolutely devastating, and I really enjoyed this aspect because while mental illness is often an overused trope in the genre, in this movie it's the result of the horror rather than the cause.

It's obvious that even Longlegs himself is suffering immensely, and he's my absolute favourite part of this movie. There is such a sense of tragedy about him, and I've loved reading articles with Perkins and Nic Cage going into the background and inspiration of the character. This man who sold his soul to the devil for reasons unknown, is stalked by the devil while he stalks his own victims, lurking in the background of scenes, just out of focus. The man downstairs. He's a washed up, hollowed out caricature of a 1970s glam rocker and an absolute shell of a person, and whenever he's by himself you realize just how deeply fucking miserable he is. Everything is happening to him just as much as it's happening to the other characters.
"Perkins saw Longlegs as someone who didn't seek to do evil; he doesn't enjoy murder and mayhem but feels compelled to it...'He's as shabby and pathetic as possible, and that was just meant to make him a human being, a person, not a monster.' said Perkins...'A guy whose face is bad plastic surgery and white face makeup, that felt really scary to me, and it also felt sad to me, which was important. He's not the Hydra, he's a person who was presumably doing something else in his life before the devil tapped him on his shoulder and said 'it's time, you're now my secretary.''" (x)
I just really love how much depth and care has been put into his character, and I think the fact that I've been into 1960s and '70s music for so long, and know that so many of these musicians went on to lose their minds that the narrative of him being an ex-glam rocker just made him feel more real to me. The character is just really haunting, and Nicolas Cage gives such an amazing performance. I've always overlooked him as an actor because of the memes, but I'm tempted to dig into more of his movies as he's been in a few that I've really enjoyed lately (Renfield and The Unbearable Weight of Massive Talent). And I will absolutely be watching everything else Oz Perkins has ever made.
I know there's been some backlash over the marketing of this movie, and that people feel that it's not "the scariest movie of the decade" as it's been advertised. Horror and what someone finds scary is so subjective and will depend entirely on the viewers own lived experiences, so blanket statements are never going to ring true for everyone. It's style is reminiscent of gothic horror literature, it's more about the insidious, carefully crafted atmosphere rather than jump scares or gore. I prefer that as I like horror that makes me think rather than watching something that just makes me sick. It might not work for everyone though, and that's okay! I just wish people could understand hyperbole and that it's not going to be marketed as anything less to sell those cinema tickets.
I also enjoy that this movie has gotten me listening to T. Rex, who I'd obviously heard of before but never paid any attention to. Although I've been very into that whole era of music for a long time, I always skipped over T. Rex mostly because I absolutely detest their song I Love To Boogie which is really overplayed in British media, but I've been listening to their earlier stuff on repeat and I absolutely love it! I'm actually a little embarrassed how long it's taken me to discover them honestly, they've got whimsical lyrics like Donovan, but with that glam rock beat. Incredible. New fave. Thank you Longlegs for not only being my favourite movie and bringing me out of my years long funk, but also introducing me to a new band.